Professor Jonathan Rayner
School of English
Professor of Film Studies
+44 114 222 8457
Full contact details
School of English
Jessop West
1 Upper Hanover Street
91Ö±²¥
S3 7RA
- Profile
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I began part-time teaching before and during the completion of my PhD, delivering accredited evening classes in Film Studies for five years at the Division of Adult Continuing Education (now the Department for Lifelong Learning) at the University of 91Ö±²¥.
My first full-time post was teaching film history within the Cultural Studies degree at the University of Portsmouth. Subsequently, I taught at the North East Wales Institute of Higher Education (NEWI), now Glyndwr University, where I was subject leader for media studies and delivered modules in English, media studies and film studies.For three years I worked at 91Ö±²¥ Hallam University, teaching film history, theory and criticism at undergraduate level and acting as course leader for the MA in Film Studies. I joined the School of English in 2001.
With Prof Jennifer Coates (School of East Asian Studies) I am co-director of the 91Ö±²¥ Centre for Research in Film (SCRIF). Established in 2013, the Centre brings together staff, researchers and students involved in moving image teaching and research and public engagement activities across the city, in collaboration with the Showroom Cinema. SCRIF’s membership spans numerous departments and schools at 91Ö±²¥, and also includes colleagues at 91Ö±²¥ Hallam University and other White Rose and regional institutions. Publications from SCRIF research events include the edited collection Mapping Cinematic Norths (Peter Lang, 2016) and a special edition of Landscape Research based on our 2018 symposium ‘The City (as) Archive.’
- Research interests
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From my PhD onwards, my interests also include Australasian cinema (particularly Australian Gothic films), genre films and auteur studies. My other research interests centre on connections between cinema and landscape and the representation of war and conflict and navies and naval history in film, television and popular culture. Currently I am working on a critical history of the representation of the Royal Navy on television for White Rose University Press.
Since 2014 I have been researching the University of 91Ö±²¥â€™s archive of the First World War magazine War Illustrated. This work has been applied to several public engagement and widening participating projects, such as working with GCSE History classes in 91Ö±²¥ schools, as well as in conference papers and publications.
Topics which have been explored through the magazine’s reports and images include: the depictions of children in war; the changing roles and perceptions of women in Europe during the conflict; the Gallipoli campaign; the Somme offensive; representations of war technology, such as the submarine; and the public image of the Royal Navy before and after the Battle of Jutland. These topics have also been the subject of knowledge transfer and public engagement activities during the First World War centenary, including displays and presentations at the Somme Experience Field in Manchester in 2016 and aboard the USS Texas museum ship in Houston in 2018.
In 2011 I undertook, with Dr David Forrest, the ‘91Ö±²¥ Film Studies+91Ö±²¥ Studies Film’ project in collaboration with two 91Ö±²¥ Primary Schools. The project's activities have included: working with documentary images of the city to show how aspects of the 91Ö±²¥ landscape have survived, changed or disappeared; encouraging visual literacy in the interpretation of moving images, in connection with the Education department's ESCAL (Every 91Ö±²¥ Child Articulate and Literate) initiative; and exploring how different groups in the city recognize, narrativize and lay claim to their environments through drawings, photographs, storyboards and animated films.
With Prof. Graeme Harper I co-edited a collection of essays on the presence and significance of landscapes in national cinemas worldwide. This collection, Cinema and Landscape: Film and Cultural Geography, was published and launched with an international conference in 91Ö±²¥ in 2010, and a further volume of papers from this event, Film Landscapes: Cinema, Environment and Visual Culture, appeared in 2013. A third Cinema and Landscape volume, Filmurbia centred on international film representations of suburbs, was published by Palgrave in 2017.
In 2005, I was awarded a six-month Caird Senior Research Fellowship at the National Maritime Museum at Greenwich, during which my research on naval films research was extended to include the Museum's archive of documentary, training, recruitment and actuality films.
- Publications
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Books
- Australian Gothic A Cinema of Horrors. University of Wales Press.
- The Cinema of Michael Mann. Columbia University Press.
- The Naval War Film: Genre, History and National Cinema. Manchester Univ Press.
- The films of Peter Weir (2nd edition). Continuum Intl Pub Group.
- Contemporary Australian cinema. Manchester Univ Pr.
- Cinema Journeys of the Man Alone: The New Zealand and American Films of Geoff Murphy. Nottingham: Kakapo Books.
- The Films of Peter Weir. Cassell.
Edited books
- . London: Palgrave Macmillan.
- Mapping Cinematic Norths: International Interpretations in Film and Television. Peter Lang.
- Film Landscapes: Cinema, Environment and Visual Culture. Newcastle upon Tyne: Cambridge Scholars Publishing.
- Cinema and Landscapes: Film and Cultural Geography. Intellect Ltd.
Journal articles
- . Landscape Research, 1-11.
- . Women's History Review, 27(4), 516-533.
- . Journal of War and Culture Studies, 10(4), 340-355.
- . Journal for Maritime Research, 19(1), 1-22.
- Young Lions of the Old Empire: The Anzacs and the Reporting of Gallipoli in War Illustrated Magazine. Australian Studies, 7, 1-22.
- . Childhood in the Past, 7(1), 14-34.
- Meditative Tangents: Fred Schepisi’s The Eye of the Storm (2011). Australian Studies, 4.
- Gothic Definitions: The New Australian "Cinema of Horrors". Antipodes: a North American journal of Australian literature, 25(1), 91-97.
- . Studies in Australasian Cinema, 3(3), 295-308.
- . Journal for Maritime Research.
- Live and Dangerous? The Screen Life of Steve Irwin. Studies in Australiasian Cinema, 1(1), 107-117.
- 1805 and All That: Defining the Naval War Film. Diegesis, 9, 32-40.
- Reflections on the Integration and Popularity of Australian Films in British Universities. Australian Studies, 19(2), 43-66.
- Conflict and Conspiracy: Public and Personal Memory in Australian Film. Post Script, 24(2-3), 84-95.
- New Gothic and New Australians: Multiculturalism and Rehabilitation in John Ruane's 'Death Diptych'. Australian Studies, 18(2), 95-112.
- Western Australia/Australian Western: Moral Landscapes in Australian Film. Australian Studies, 15(1), 27-40.
Chapters
- In Griffiths J (Ed.), Communication and the First World War (pp. 64-86). Abingdon: Routledge.
- In Glyn M & Palmer-Patel C (Ed.), Sideways in Time: Critical Essays on Alternate History Fiction Liverpool: Liverpool University Press.
- What is the British Navy doing? The Royal Navy's image problem in War Illustrated magazine In Colville Q & Davey J (Ed.), A new naval history (pp. 193-214). Manchester: Manchester University Press.
- , The Enemy in Contemporary Film (pp. 377-394). De Gruyter
- Conventions, preventions and interventions: Australasian cinema since the 1970s In Stone R, Cooke P, Dennison S & Marlow-Mann A (Ed.), The Routledge Companion to World Cinema (pp. 252-263). London: Routledge.
- Romantic Love in the Australian Cinema In Teo H (Ed.), The Popular Culture of Romantic Love in Australia Melbourne: Australian Scholarly Publishing.
- The Suburban Australian Gothic in Lake Mungo and Beautiful In Forrest D, Harper G & Rayner J (Ed.), Filmurbia: Screening the Suburbs (pp. 191-205). London: Palgrave.
- , Filmurbia (pp. 1-10). Palgrave Macmillan UK
- The Cinematic Northern Territory of Australia In Rayner JR & Dobson J (Ed.), Mapping Cinematic Norths (pp. 241-261). Bern, Switzerland: Peter Lang.
- What does this vaingloriousness down here? Thomas Hardy, James Cameron and the Titanic In Horatschek A-M, Rosenberg Y & Schabler D (Ed.), Navigating Cultural Spaces Maritime Places (pp. 119-134). Brill Rodopi
- The Seen Unseen: British and German Submarine Films In Wenk S, Mertens H & Hoffmann K (Ed.), Myths, Gender and the Military Conquest of Air and Sea Oldenburg
- Monsarrat's'Corvettes' and the Battle of the Atlantic In Piette A & Rawlinson M (Ed.), The Edinburgh Companion to Twentieth-Century British and American War Literature (pp. 380-387). Edinburgh: Edinburgh University Press.
- Battlefields of Vision: New Zealand Filmscapes In Harper G & Rayner JR (Ed.), Cinema and Landscape: Film and Cultural Geography (pp. 257-267). Intellect Press
- far from the Fatal Shore: Finding Meaning and Identity in the Rural Australian Landscape In Fish R (Ed.), Cinematic Countrysides (pp. 17-34). Manchester: Manchester University Press.
- Embodying the Commercial: Cultural Affect in the Films of Geoff Murphy In Conrich I & Murray S (Ed.), New Zealand Filmmakers (pp. 152-168). Wayne State University Press
- Stardom, Reception and the ABBA 'Musical' In Conrich I & Tincknell E (Ed.), Film's Musical Moments (pp. 99-112). Edinburgh University Press
- "Terror Australis": Areas of Horror in the Australian Cinema In Schneider SJ & Williams T (Ed.), Horror international (pp. 98-113). Detroit, MI: Wayne State University Press.
- Masculinity, Morality and Action: Michael Mann and the Heist Movie In Mason P (Ed.), Criminal Visions: Media Representations of Crime and Justice (pp. 73-89). Willan Publishing
- The Cult Film, Roger Corman and 'The Cars That Ate Paris In Mendik X & Harper G (Ed.), Unruly Pleasures: The Cult Film and Its Critics (pp. 221-233). Fab Press
- Loop the Loop and Crash Head-On: Australian Road Movies In Sargeant J & Watson S (Ed.), Lost Highways: An Illustrated History of Road Movies (pp. 100-113). Creation Books
- Paradise Transplanted: The Spiritual Landscapes of Vincent Ward In Conrich I (Ed.), New Zealand: A Pastoral Paradise? (pp. 39-51). Kakapo Books
Conference proceedings papers
- Sublime or what? Australian Gothic and the Filmed Landscape. Screening Australia. London
- Australian Gothic A Cinema of Horrors. University of Wales Press.
- Teaching activities
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I teach in the areas of my research interests: Australian Cinema; Hollywood Cinema; genre studies; auteur criticism; war films, naval films and history; and Japanese Cinema.
My core literature teaching commitments are to Lit 120 Renaissance to Revolution and to EGH21002 Literature and Critical Thought. The majority of my teaching time is devoted to Film Studies at levels 1 and 3. I convene and teach on the Introduction to Cinema module at level 1, and I am also responsible for the Film Pathway on the MA in English Literature. At MA level I teach on EGH 61006 Contemporary Cinemas and LIT631 Post-1945 British Theatre Film and Television with David Forrest and Sue Vice.