The democratic context

The democratic context of civic engagement explores what the democratisation of knowledge about communities means in practice. New forms of knowledge are emerging about communities and how they change, with opportunities opening up for voices to be heard that have previously been marginalised.

A collage about the past, present and future
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We are particularly interested in what community members think about how the future of their communities has been imagined. We are also interested in how new technologies are making it possible for these views to be expressed.

In addition to reviewing what has been written in the field so far, Participedia will look at how innovations in democratic decision-making at the community level can be shared around the globe.

In Imagine Sheppey, the method of collaborative video will be used as a means for young people to express their views about the future of their communities.

We are also interested in how visions of the future were created in past communities. This is so we can understand how some voices come to be more prominent than others. We also want to learn how the imagination of better community futures, which are surrounded by debate and controversy, can be achieved.


Project list

Interesting or Useful: A review of outputs of the Connected Communities programme and the South-East Coastal Communities programme

Project team:

  • Graham Crow, University of Edinburgh
  • Jaimie Ellis, University of Southampton
  • Paul Ward, Edge Hill University

This review asks 鈥楬ow can Connected Communities be conceptualised, researched and promoted, so that they have the potential to accommodate and benefit from social, cultural and economic differences and diverse opinions and practices?鈥

We compiled a list and summary description of 80+ (of the 300+) Connected Communities and South East Coastal Communities (SECC) projects. We asked groups of community partners to consider how 鈥榠nteresting鈥 and/or 鈥榰seful鈥 they found the outputs (i.e. reports, articles, annotated bibliographies, posters, research tools) of each project.

One community partner group had been involved in the SECC programme and the others were recruited through the Community Partner Network. They were asked to select a few projects based on their titles and a brief project description and then to evaluate how useful/ interesting they thought their outputs were from a CP point of view.

Although the number of community partner organisations was only four, this was enough to highlight the heterogeneity of the category 鈥榗ommunity partners鈥. All community partner organisations were paid for their time.

Definitions of 鈥榰seful鈥 and 鈥榠nteresting鈥 were deliberately left open and in turn used in different ways by the different respondents. Nevertheless, Connected Communities researchers can gain a sense of their audiences鈥 outlooks.

Here are some of the findings from the review:

  • There was a rejection of the notion of interesting for its own sake: 鈥榳e would be in the field of entertainment if we were looking at interesting鈥 and that things should be 鈥榰seful rather than ornament鈥. Often, what was considered 鈥榠nteresting鈥 related to specific interests, so one participant explained that 鈥榝or me personally I was going through thinking which would have personal interest 鈥 but also which, reading the output, would be of use with the kind of work we鈥檙e doing and the issues that we鈥檙e facing.鈥
  • Many considered that use could be measured by the ability of outputs to secure funding for community groups. Intellectual theory was unlikely to achieve this, hence one participant said 鈥榶ou鈥檙e not going to pull out a Judith Butler quote to get your next Hackney grant鈥. Nonetheless, it was argued that many of the outputs did provide useful evidence to support funding applications.
  • One group said that outputs should be able to address and tackle inequalities. Others considered that outputs should 鈥榖enefit the community鈥.
  • More than one group wanted to see that methods could be replicated by/transferred to other community projects.
  • The transfer of skills was valued more than the transfer of knowledge and this fed into some discussion about the relationship with universities and academics, including power and accessibility issues. 鈥楢 little bit of support from an academic goes a long way鈥, said one participant.
  • One participant said that only academics would know how to find Connected Communities outputs. Films and other creative outputs were regarded as more accessible than reports.

Many seemed to favour easy to use toolkits. Examples of good practice from Durham University and the University of Brighton in their publications for the Connected Communities programme.

This does lead to the bigger question of the relationships between academic and community outputs. The 鈥榣ocal鈥 perspectives of community partners may not always make the connections with research from elsewhere that turns out to have parallels or illuminating contrasts.

Many questions are highlighted in the study:

  • What is the value of academic input in the issue of what knowledge exchange involves 鈥 is it exchange of information, knowledge, skills, experience, or kudos?
  • What are the appropriate outputs?
  • Are they parallel, always producing an academic output as well as community-oriented outputs?
  • Does the nature of co-production of research mean that the co-production of outputs is crucial to creating interesting and useful outputs?

Jaimie Ellis delivered a presentation on the project at the 6th ESRC Research Methods Festival called 鈥楧emocratisation in theory and (one example of) practice鈥.

Participedia

The Participedia project within Imagine was led by Graham Smith, Professor of Politics, Centre for the Study of Democracy, University of Westminster.

Participedia is an open-access platform that aims to collate cases of democratic innovations. Participatory processes are designed to increase and deepen citizen participation in contemporary governance at all levels and from all over the world.

Such democratic innovations are examples of (quoting the Consortium proposal) 鈥榗ommunity forms that engage with members of communities, with decision-making by community members, for community members鈥.

Unlike other more traditional aspects of the political process, no records or statistics on the variety of democratic innovations are collected by official agencies. Attempts to collect and analyse data by both academics and civil society organisations has been piecemeal at best.

Participedia provides a platform that enables those who hold knowledge of such participatory processes (including academics, students, civil society practitioners and activists, government practitioners and citizens) to upload materials and structured data on cases.

The structured data is collated in an open-access database. It is an example of actively crowdsourcing data from different communities of practice.

The aim is for the site to spark the imagination of practitioners and activists around the world about what is possible. It aims to provide both descriptive and quantitative data for researchers (within and without the academy) to better understand what works and under what conditions.

Work supported by the consortium

A new researcher interface is now live that invites data contributions and explains what data are available. The project also developed easy-to-follow guidance on how datasets can be downloaded from the platform. The funding from the Consortium enabled essential development work to ensure the reliability of the data download.

Case materials on 40 participatory budgeting initiatives from across the UK have been uploaded to the platform (including the collation of materials that were previously held by the now defunct Participatory Budgeting Unit).

A report 'Participedia and Non-Academic Users: The Focus Group Report' (authored by Jez Hall, Gemma Jamieson Malik and Graham Smith) was presented to the Participedia steering committee in April 2014. This provides detailed insights into the perspectives of potential practitioner users (from civil society and government) on the project鈥檚 mission, platform design and possible engagement strategies with non-academic users. This is the result of two focus groups organized in London and Manchester in December 2013.

A second report 'Participedia and Non-Academic Users: Report on an Experiment on Content Submission' (authored by Jez Hall, Gemma Jamieson Malik and Graham Smith) was presented to the Participedia steering committee in April 2014. This report provides evidence on the effectiveness of different strategies to promote practitioner contributions to the platform and is based on a small-scale experiment run in early 2014.

鈥業ntroducing Participedia鈥 event was held at the University of Westminster, 27 January 2014 This was funded by the Centre for the Study of Democracy, not from Consortium resources. The event attracted a mix of academics, civil society activists and government officials.

Jez Hall and Gemma Jamieson Malik (the two research assistants) ran a workshop on Participedia at the first Imagine annual meeting in Brighton.

鈥楾he potential of Participedia as a tool for comparative analysis of democratic innovations鈥, authored by John Gastil (Penn State), Robert Richards (Penn State) and Graham Smith (Westminster) was presented at the European Consortium of Political Research (ECPR) Joint Sessions Workshop 鈥楽ystematising Comparison of Democratic Innovations: Advanced Explanations of the emergence, sustenance and failure of participatory institutions鈥 in Salamanca, Spain, April 2014.

Lessons from Participedia

Participedia feeds into the Imagine in two ways.

The first is the analysis of data on participatory processes around the world. The conference papers are a first attempt to use the crowdsourced data (quantitative and descriptive content) from Participedia to understand the relationship between different design characteristics of democratic innovations (eg facilitation, decision method, objective).

The second is an understanding of the strategies and incentives that need to be in place for users to contribute to an open-access research platform on participatory governance. Our focus has been on better understanding the needs and requirements of practitioners in civil society organisations and government agencies that are directly involved in the organisation of democratic innovations.

Imagine Sheppey: Young People鈥檚 Imagined Futures
An Imagine Sheppey presentation

Project team:

  • Dawn Lyon, sociologist
  • Giulia Carabelli, sociologist
  • Peter Hatton, Val Murray and Lynn Pilling, artist group
  • Blue Town Heritage Centre
  • young residents of Sheppey

Imagine Sheppey Fast Forward started in October 2013 and was funded for one year. Data collection, analysis, and arts-based work took place in spring and summer 2014.

The project was interested in young people 鈥 16 and 17 year olds on the brink of adult lives 鈥 and how they imagine their futures. This includes a focus on young people鈥檚 plans, hopes, wishes, images and general orientations in relation to their own trajectories. Also, it focused on how they imagine the places in which they live and the communities they are part of taking shape into the future.

Boy holding a sign that says 'amazing'.
Young people walking down the street in costumes ready for filming

Central to the project activities were a series of one day workshops designed and led by the artists Tea, in collaboration with the sociologists.

This series of Fast Forward workshops aimed to explore meaning and transformation in different places: residential, work, and leisure. The workshops involved creating temporary installations and performances using found and made objects, recorded through photography and video.

We also organised a collage-making workshop for the core participants, and carried out focus groups with a wider group.

People preparing to start filming
Workshop materials

As one of the main outcomes, Tea put together a video based on the recordings of the workshops, which was first presented on Sheppey at a community event in the Blue Town Heritage Centre on October 2014.

This is a key outcome of the project that will generate an ongoing dialogue about the process of young people imagining their futures, for participants and future viewers alike.

Democratising communities

In 鈥楧emocratising communities鈥, the Imagine project will review the literatures on the democratisation of community research in the light of experiences across the consortium.

This project will run towards the end of the consortium鈥檚 time. This will allow a range of materials relating to the theory and practice of democratising community research to be gathered, including reflections on the wider lessons from the consortium鈥檚 various projects.

Alongside academic outputs, we will also re-work materials generated across the consortium. We will concentrate on those produced for the consortium鈥檚 annual events, to produce accessible, practical guides on the potential and pitfalls of collaborative community research.

History and the future
Paul Ward at Sound System Culture
Photo by Liz Pente

I joined the Imagine: Connecting Communities Through Research to enable the development of a stronger historical perspective across the consortium as a whole. Also, to explore the implications of the co-production of research for the academic discipline of History. I coordinate work package 4.

My contribution to Imagine is both overarching and in relation to specific projects. I seek to provide historical and historiographical knowledge for the consortium as a whole, focusing on two aspects.

First is the historical context in which civic engagement operates. Civic engagement has a national history as well as local histories. Imagining the future has been a consistent theme in community participation. This sense of historical groundedness seeks to inform the consortium as a whole.

The second aspect considers whether there is a 鈥榮ense of history鈥 that encourages civic engagement/community participation.

In some cases, such as oral history/local history projects, this is an obvious and primary motivation. In others, a sense of the past is more tangential.

In still other cases, the ideas of the futures to be created by civic engagement can be seen as a repudiation of the past. There is significantly more to community history than celebration of the past and many communities recognise their less attractive sides.

In the spirit of co-design of research, I will work with community partners within the consortium who see this question as significant. I will draw on previous work with a range of community organisations to inform this process.

Arts and humanities aspects of the project are integrated at a strategic and conceptual level. This will bring to the fore the question of how communities make and engage with their own histories to imagine their futures.

This involves examining how communities produce outputs from their historical experiences and then use them to develop their futures. A significant aspect of this relates to the use of localised historical narratives to generate civic pride, with such pride then leading to civic engagement.

This links to areas I am interested in exploring as a historian, including locality and place and relationship to 鈥榣arger鈥 identities or affiliations such as 鈥榥ation鈥.

I have been involved in a number of community-based projects including Sound System Culture and Bhangra Renaissance. I also work with Kirklees Local TV, an internet-based television station.

Making change in communities: What motivates women to become involved, and how do they sustain their interests in community voluntarism, activism and everyday anticipatory practices?

Maggie Laidlaw, PhD Research Student in Sociology
School of Social and Political Science, University of Edinburgh

We have all at one time or another considered our place in the future, whether through simply trying to structure our own lives, or through imagining better futures for our families, our communities, or even wider society.

By positioning 鈥榝utures鈥 in the plural, this study is exploring the diversity of ways in which women actively engage with their communities in activism and voluntary practices that benefit themselves, their families, and the wider community.

Reflecting on the temporalities within the everydayness of women鈥檚 community practices may uncover how dimensions of time (such as speed, rhythm, sustainability, and longevity) intermingle with expectations of social change.

The study will focus on the volunteered time of women who have a variety of reasons for being involved in their voluntary work, the various ways in which these women manage the competing demands on their time within their everyday lives, and how these groups sit alongside each other, uncovering interesting contrasts and commonalities between them.

There is relatively little knowledge and understanding of the everyday practicalities and temporal experiences of women鈥檚 community activism and their voluntary and anticipatory practices. It may be the case that these practices are becoming increasingly invisible (Jupp, 2014).

This study focuses upon these gaps and explores what motivates women to become involved, and how they sustain their interests within the often multi-faceted components of their lives.

It looks at how they experience and envisage change in the short and long term, and thus deal with varying speeds and rates of change, and why their contributions continue to be hidden within the larger picture of community activism and voluntarism (Callaghan, 2011; Dominelli, 1990; Jupp, 2014).

Our future imaginings involve politics, fun, hopes, fears, desires, pauses, moments, connections, pondering, mobilisation and remobilisations 鈥 all of which highlight the different things that we need from life, and all of which may act as incentives or hindrances for change.

This study should hopefully help to inform, and to develop better understanding of the temporal qualities of society that are required to create social change at a scale and rate that connects individuals and communities with their futures.

In and out of focus 鈥 community connections and the changing relationship between informal and statutory welfare in Scotland over the last 150 years

Sue Rawcliffe, the University of Strathclyde

Sue Rawcliffe's poster titled 'Can a look at the past help us imagine different futures?'

This PhD is situated in the context of communities now being seen to be centre stage in addressing some of the 鈥榯ricky鈥 welfare issues of the 21 century. 

I am looking to explore what the history of the changing relationship between informal and statutory welfare provision, over the last 150 years in Scotland, indicates about the connections that are key to communities playing a role in relation to welfare. I am particularly interested in low income communities.

The research will develop a series of historical moments or snapshots to examine the nature and extent of community involvement in welfare at key points in the last 150 years.

It will then work with current community organisations to see what impact developing an understanding of the snapshots has on how they might imagine their future.

The snapshots currently under consideration are periods of change or crisis 鈥 the 1840s, early 1900s, 1920s and the 1980s. The 鈥榤oments鈥 will focus on Glasgow, although within a wider Scottish context. They will also pay particular attention to the issues of food poverty and care for older people.

The research is being carried out by Sue Rawcliffe who is working with Professor Bernard Harris at the University of Strathclyde and Professor Graham Crow at the University of Edinburgh.

Sue undertook her undergraduate studies in History at the University of York, a Masters in Social Work at the University of East Anglia and her MBA at Glasgow Caledonian University.

Sue is a qualified social worker and is returning to study with 30 years experience working across the community and voluntary sectors, local government, health and NDPBs. 

Sue鈥檚 poster was runner up in University of Strathclyde HaSS Graduate School Poster and Pitch Competition 2015.

Public History and Regeneration: A Co-Production Approach

Elizabeth Pente, the University of Huddersfield

I received a Bachelor of Science degree in Archaeology and Geology from Dickinson College in 2007 and earned my Master of Arts degree in Historical Studies with a concentration in Public History from the University of Maryland, Baltimore County (UMBC) in 2013.

My PhD project is tentatively titled Public History and Regeneration: A Co-Production Approach.

Public history is a term that has been used to describe a variety of work that brings historical knowledge to the public.

Central to public history is the notion of collaboration, that in bringing history to the public, historians are working together with stakeholders outside of academia.

I hope to explore the concept of co-production and how historians engage community stakeholders in decisions about delivery and interpretation of their histories.

As part of the PhD process, I am working with Professor Paul Ward on 鈥淚magine: Connecting Communities Through Research,鈥 . This project aims to achieve collaboration between universities and local community groups at all stages of the research process.

This approach seeks to democratise the research process to generate new knowledge which can help to imagine the ways in which communities can be different.

The history aspect of this undertaking will explore how people use the past to influence their current lives and whether a 鈥榮ense of history鈥 fosters civic engagement.

I am also a member of the National Council on Public History (NCPH) and the International Federation for Public History (IFPH).

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