91Ö±²¥

Her current research explores co-creative approaches to documenting and addressing non economic loss and damage (mainly loss of culture, social cohesion and impacts on mental and spiritual wellbeing) with immersive technologies in the context of planned relocation.

Her past research explored the political ecologies of glacial recession in the Third Pole, climate-induced mobility, the psycho-social impacts of disasters, and climate-changed future scenarios. Her work, which intends to drive change in the political and cultural narratives surrounding combined climate, environmental and human rights crisis, is often made in collaboration with fellow artist Teo Ormond-Skeaping and partnerships with frontline communities, civil society organisations, climate researchers, and humanitarian actors. Her practice is often policy-oriented and intends to bear witness and create space for debate inside policymaking forums and processes.

She is interested in transdisciplinary, decolonial and participatory approaches to climate knowledge production, ecofeminist perspectives on climate, anticolonial research methodologies, speculative practice, documentary moving image practice, digital technologies, climate mobility, loss and damage, climate justice, and the governmentality of climate crisis under the UNFCCC process.