Housing the Public
The studio seized emptiness with optimism, seeing this as an open invitation to re-imagine what is valuable about our collective urban spaces and the way we want to live.
Urban centres of many northern towns have suffered sequential blows of de-industrialisation, the rise of the internet shopper and more recently, by the pandemic.
(In 2020-2021) Town centres are forlorn and lacking purpose, what will become of them, what is their reason for being?
Huddersfield is one such example, with large swathes of the town lying vacant whilst paradoxically being listed for its historic value.
We aimed to explore what might become of the town that famously 鈥榖ought itself鈥, looking how this publicly owned centre could have recovered to recreate a collective, civic society in an environmentally conscious and creative way.
In the era of climatic emergency, existing buildings and their materials must be viewed as precious reserves of embodied energy. The re-use of existing buildings and a frugality towards material, is an essential starting point for all our working.
We sought to examine the changing attitudes towards historic architecture in the public realm and the relevance of preservationist attitudes in relation to inefficient building performance.
The studio seized emptiness with optimism, seeing this as an open invitation to re-imagine what is valuable about our collective urban spaces and the way we want to live.
Studio tutor
Jo Sharples
Studio collaborators
Megan Morrison, Alan Baxter Engineers
Sarah Fraser, Manchester Ceramics Collective
Jack Richards, Editional Studio / SSoA
Miles Reay-Palmer, DSDHA
Elseline Bazin and Charles Bedin, Studioemile
With thanks to:
John Paul Walker, Historic England
Craig Walker, Historic England
Rosie Hall, Kirklees Archives
Nigel Hunston, Kirklees Council